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The interwebs I swim in love La Réunion, and I couldn't be happier that Sarah Nsikak's pieces are being so widely embraced. Sarah's pieces are made (in New York) exclusively with vintage + waste textiles. Some vintage pieces wear their patches proudly, while others are made completely out of pieced together fabric scraps.
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Those of us who have experience thrifting, mending, quilting, or crafting our own clothing understand the price point of these pieces. The higher price point brings awareness to the time + attention that goes into each piece. Price can also suggest the value an item should have once in a wardrobe.
Of course, we can choose to find inspiration in Sarah's pieces + put our own time + attention into our own patchy pieces. I find encouragement in the all the La Rèunion love, because I feel that my patches may be seen in a different light due in part to this brand's influence.
Patches may have signaled poverty + lack in the past, but many of us are now seeing them as emblems of care + reverence. I feel a sort of full-bodied, visceral connection with humanity when I see these pieces. To be human is to struggle + toil + imagine + create. It is both fiercely difficult + gloriously beautiful. Somehow I see all of that reflected here.
Dress photo via La Réunion. All other photos via Vestige.
Love,
Jane
Of course, we can choose to find inspiration in Sarah's pieces + put our own time + attention into our own patchy pieces. I find encouragement in the all the La Rèunion love, because I feel that my patches may be seen in a different light due in part to this brand's influence.
Patches may have signaled poverty + lack in the past, but many of us are now seeing them as emblems of care + reverence. I feel a sort of full-bodied, visceral connection with humanity when I see these pieces. To be human is to struggle + toil + imagine + create. It is both fiercely difficult + gloriously beautiful. Somehow I see all of that reflected here.
Dress photo via La Réunion. All other photos via Vestige.
Love,
Jane
